One of my favourite lines from ‘Four Weddings and a Funeral’ is when a guest arrives at church for a wedding and is asked by an Usher: ‘Bride or Groom?’  The character promptly retorts, with a hint of indignation: ‘It should be perfectly obvious I’m neither.’

I remember the wedding season so accurately depicted in ‘Four Weddings’: all those weddings blurring into one.  During that time of my life I was a resting actor temping at Goldman Sachs.  When my dinner companion would inevitably ask me ‘And what do you do?’, depending on my mood, I would choose whether or not I wanted to be an ‘actor’ or assumed ‘banker’ for the night.  Both of those labels could pigeon hole me – for better or for worse.

In coaching sessions, I often hear clients choosing to live up to their labels.  It can be a cultural label (such as ‘the guilty working mother’ or ‘the breadwinner’) or it can be a bespoke label (such as ‘the quiet or loud one’, ‘the smart or stupid one’ or ‘the creative or logical one’).  For better or for worse.

As Madonna celebrated her 60th birthday this week, and whatever the label you might give her or the opinion you may have of her, let’s consider the gift she has given us all: reinvention.

If we can drop our labels we discover our genius.